Doomscrolling or doomsurfing, are (apparently) new words used that describe our tendency as a species to continue to surf or scroll through bad news ad nauseam even though what we're reading and watching is saddening, disheartening, or depressing. This is actually the truth, because Merriam-Webster says so.

While doomscrolling existed—in practice, if not in name—before the COVID-19 pandemic came screaming into existence like the bat from which it originated, Merriam-Webster points out that it’s really taken hold lately. It’s not just about the virus, though: People can doomscroll through news about racial injustice and the unemployment rate. Basically, if the news is bad or depressing, you can doomscroll it.

As it turns out, your brain loves this stuff. Why is that? Well, because we are all hardwired to see the negative and be drawn to it because it can harm us physically. This is because of good 'ol evolution. If your ancestors learned all about how [insert scary ancient creature here] could injure them, they could avoid that fate. We can sense danger. It helps us survive.
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But in modern times, most of us don’t realize that we're even doing this. All that we know is that have a question, we want an answer, and we assume that getting that answer will make us feel better. So, we keep scrolling and scrolling. Many of us think that will be helpful, but we end up feeling worse afterward.

To that point, doomscrolling can really challenge the way you see the world. People are drawn to doomscrolling because they feel like they have a sense of being able to control any of that bad news. But, seriously, doomscrolling does not create control and only makes you miserable. The overall impact doomscrolling has on people can vary, but typically, it can make you feel extra anxious, depressed, and isolated.

Okay, so let's talk about fleabagging. Of course, with a new year comes a new wave of dating trends that I need to get up to speed with so that I can understand what the heck my clients are talking about. One of these new wondrous experiences is fleabagging.

The term 'fleabagging' comes from the hit BBC show, Fleabag, created by Pheobe Waller-Bridge. The character of Fleabag just kept dating people that were completely wrong for her. So, bringing it back to you, basically you start seeing someone, they treat you like shit so you end things. But then, the cycle repeats over and over and over again. You (or more likely your friends) can’t help but notice that you only seem to be interested in people you know are bad for you. It’s happening – you’re fleabagging.

We all have that friend who constantly dates the wrong person, don’t we? Maybe that friend is actually us, but for the purposes of self-delusion and denial, let’s pretend it’s someone else’s problem. So why do they do it? What continually draws our friend to these people who can never be "the one" – assuming you believe in such a restricting concept, more on this another time – and why can’t they date someone different for a change? According to a survey of its users by dating site Plenty Of Fish, half of singles feel they have consistently dated the wrong person for them and although at 63% the issue is more prevalent among women, it’s still very much a guy thing – 38% of men have fessed up to Fleabagging.

So of course the natural question to ask is "what leads us to fleabagging?" Can it possibly be all about bad-boy fetishes or a desire to annoy our parents? Maybe it's a belief that we should never be happy. Could that be it? Well, no, you’ll be pleased to hear that there’s actual science behind this one. I believe that one of the key reasons we consistently "pick the wrong person" comes down to our attachment style: either "Secure", "Anxious" or "Avoidant". Or, occasionally, a combination of the latter two.

If we can understand ourselves in terms of the characteristics of these styles then we can shine some light on the dynamics of our relationships and so that we can begin to understand why what we think is accidentally repeatedly falling into the same style of relationships is, in fact, a pattern. It also helps us to not blame or use loaded language such as 'needy' or ‘cold’." These labels aren’t meant to judge, but they can help us understand why we behave we do in relationships.

Secure people, for example, are usually warm and affectionate and responsive to intimacy. Anxious people might worry their partner doesn’t love them back and need reassurance or feel jealous. Avoidant people tend to be distant and unwilling to commit, equating intimacy with a loss of independence. We are able to see that certain attachment styles often end up in combination with another. Examples of these combinations are secure-secure or anxious-avoidant. So, even if the person is different, you're still following the same blueprint.

In my private practice, I get the opportunity to work with many creative people who come to me feeling stuck. Often times, they are feeling stuck because they have some good ideas that they'd like to communicate with the rest of us but they find themselves up against some pretty overwhelming chasms that I (and some others who are smarter than me) call the three gaps of creativity.

My artist clients are often surprised by the gap that exists between how their idea feels in their mind and how it feels when they try to make the idea work outside of themselves. Since I'm also an artist, I understand the amazing feeling that happens when a good idea really gels. Scott Berkun says that "good ideas often come with a wave of euphoria, a literal dopamine high, and we’re joyously overwhelmed by it. It’s natural in that instant to overlook the dozens of questions that must be answered to bring the idea to life. We easily postpone those questioning thoughts, believing that if we can come up with the big idea surely we can conquer all the little problems too. An epiphany is a powerful experience, but the myth of epiphany is that it alone is all you need."

Isn't it frustrating that when we do sit down to work on the details of an idea, the euphoria fades away? The actual work of thinking about how to bring the idea into the world is was less fun that the fantasizing about the idea’s realization. It might take an hour or a day to put do, but soon the tasks necessary for bringing your idea to fruition feel really boring. Even though your elevator pitch is spot on, it doesn’t negate the effort required to complete all of the sketches, drafts and models required to flesh the idea out into its final form.

Many talented people never develop their skills because they hate the feeling of this distance. They’re embarrassed and tortured by it. They expect to improve at a pace that comes only from wishful thinking, and when they fail to meet it they fall apart. Sometimes we lack the commitment required to find out, through practice, exactly how much skill we might be capable of. It's always tempting to search for an easy and guaranteed path despite the fact that none exists, especially the heroes that we all look up to for inspiration. The tough news that Ira Glass suggests is that it’s easier for our ambitions to grow, as that happens only by consuming good works, than it is for our skills to improve, something that requires dedicated effort.

​One way that I've been able to encourage my clients to remain motivated in closing skill gaps is to study the history of masters they admire. The early works of Claude Monet and Jackson Pollock are super different from the styles they became most famous for. Brad Pitt’s first “acting role” was in a chicken costume for a Mexican fast food restaurant.  And, really, who knows how many awful plays young Shakespeare wrote that he burned? Honest biographies of nearly every famous musician, writer or entrepreneur will highlight in painful detail how they worked to close the skill gaps in their careers.

Once you’ve got your skills locked in, how you choose to use them becomes a matter of style. Style, or quality, gaps are the most subjective of all. Unlike effort and skill gaps, a quality gap is a subjective opinion about the quality of what is made. When Picasso began working in his cubist style or entered his blue period, it wasn’t because of a lack of skill. There was a specific quality, a feeling, a tone, an effect he wanted that he struggled to obtain. Depending on what idea you have in your mind, even if you work hard and have the right skills, you will still experience quality gaps as you work on projects.
Some really famous creators struggled with their own opinion of their work, even after their public success. No matter how popular they became, they felt their work was flawed, not good enough, and maybe worst of all, never reaching the standards that they set for themselves. For example, Bruce Springsteen once called the Born To Run album “the worst piece of garbage” he’d ever heard, and didn’t want to release it. Berkun mentions that "artists are often victims of their own perceived quality gaps. They struggle to match the ideas in their minds to what they can manifest in the world."
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Some very successful creators never close the quality gap, at least not on every project, and you likely won’t either. This is fine, perhaps even good. Continued growth requires that when you finish a project you’ll see it differently than when you started. And in the very things you find lacking or wish you had done differently you find the motivation for the next project, and the one after that. "To be perfectly satisfied with something you made likely means you didn’t learn anything along the way, and I’d rather be a little disappointed with projects now and then than experience the alternative of never learning anything at all" (Berkun).
These three gaps, effort, skill and quality, will be constant companions. Have patience in how you deal with them. As a creator you are part of a challenging trade where it takes time to develop your craft and that development never ends. If you really believe in your ideas and potential, stay the course and commit to the long, and only realistic, path to fulfilling your ambitions.
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If you can, take pleasure in making things for the sake of making them. If you feel love for your craft, honor it by showing up, even when it’s hard...especially when it’s hard. Working when it’s hardest often teaches rare lessons that will earn you easy rides now and then. Take pleasure in small amounts of progress when you experience it and remember, as Berkun writes, "those hard-won gains are the only way anyone in history has ever achieved anything noteworthy—for themselves or for the world."

References:  The Dance of The Possible: the mostly honest completely irreverent guide to creativity. (Scott Berkun)

Although an affair can disrupt your relationship in almost any area, there are three broad domains that frequently show negative impact from the affair. For some couples, one or more of these areas was already a source of difficulty before the affair. For such couples, the additional stress of an affair often leads to severe dysfunction in that particular domain.

Following a betrayal trauma, nearly all couples need to address the issue of how to regain some sense of equilibrium in one or more of the following areas, which vary on a continuum of vulnerability from instrumental, task-oriented activities to more emotional and intimate activities.

The three broad domain areas are:

1. Daily tasks
2. Companionship activities
3. Intimate activities

Often, after an affair there is a breakdown in daily routines, household chores, and patterns of interaction. This happens for a number of reasons:

• Emotional distress leading to distraction, inefficiency, or a lack of motivation
• Anger leading to lack of cooperation and vengefulness

Typically, both partners contribute to the relationship and complete various tasks for the wellbeing of the couple but after an affair many individuals, particularly the injured partner, no longer put forth the same effort they had previously. After an affair, motivation to expend extra effort to benefit the other partner is compromised. So, shopping for and preparing meals, doing laundry, cleaning the house, putting gas in the car, along with many other activities are no longer taken care of as usual. If partners are so upset with one another that they can't even talk to each other about the issues, then their lives become more stressful and daily needs are not addressed.
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It is important that the aspect of daily, household tasks and responsibilities are addressed.

While companionship activities might be ones that someone does with a friend, other activities that couples enjoy involve more intimate interactions, typically reserved for a romantic, committed relationship. This category includes:

• Certain types of conversation that are experienced as intimate, either because of the vulnerability involved or because of statements of love, affection and caring.
• Undressing in front of the other person
• Physical displays of affection
• Explicitly sexual interactions

All of these interactions can become disrupted after an affair because the partners may feel distant from each other and the injured partner often feels vulnerable after a betrayal.

Moreover, given that the trauma of an affair involves sexual interactions with a third person, sexual interactions between the participating and injured partner may seem meaningless or aversive.

I make no single recommendation to couples regarding intimate or sexual interactions, but these issues need to be raised during therapy. Don’t engage in intimate behaviors that make either person highly uncomfortable. Instead, try to understand that after an affair, there are many decisions to make, including how to interact with each other while assessing whether to maintain the relationship longterm.

Couples regularly face a wide range of issues requiring joint decisions. For example, these decisions can range from management of couple- and family-focused daily responsibilities, engagement in companionship activities, and consideration about whether or not to engage in more intimate interactions. The general decision-making skills outlined below can be helpful for many couples facing difficult decisions after an affair.

When our spouse tells us that they want a divorce, when a close friend or family member dies, when we get laid off from a job or when we become disabled by illness or injury, or when there is tragedy in our community—our lives can be sent into a tailspin.

Loss forces us to face several psychological challenges, but by incorporating the arts into our lives, these new challenges can be used as a tool for gaining momentum in the healing process.

1. Overcoming emotional pain that paralyzes: At first we need to face the emotional pain that has the ability to paralyze us. Emotional pain has the ability to trap us in a hazy, scary reality that we are unable to escape. When faced with this pain, we can lose the ability to think straight or function in the most basic ways. It is true that the passing of time can help diminish pain, but we still have to face the challenge of getting through the initial hours, days, and weeks. By taking time to create something with our hands we can fill the gaps that now exist in our life and provide a channel by which to work our way out of the fog. 
2. One helpful exercise is to go to a quiet space, and with paint and newsprint paper, let channel your emotion into your hands and attack the surface of the paper, creating a reflection of what is going on inside of you. It is important not to spend a lot of time on a single painting, but to create as many as you can in a fixed amount of time.  As the fog begins to lift and the “new normal” sets in, we are able to face our second challenge:
3. Adjusting to the changes in our daily lives: Grief and loss has the ability to alter almost every aspect of our daily lives. We may no longer have a spouse with whom to share our life, the loss of a job means that we have nowhere to go each morning, and becoming disabled might mean that we have to retrain ourselves to do the tasks that we are used to doing without even thinking. To recover we need to face the challenge were forced upon us. It’s only then that we can begin the process of discovering new ways of living.
4.  Set aside time to regularly process feelings by working with our hands and create something new. The act of creation helps us to discover who we are in our new situation. Then we can begin to
5. Then we can begin to Reformulate our identity: Significant grief and loss impacts our very sense of identity—how we define who we are. We might feel as if the person we once were is lost and that the person staring back at us in the mirror is a total stranger. We might have defined ourselves by our career but lost our job, we might have defined ourselves by our relationship but our spouse left us (or we left our spouse), or we may have defined ourselves by our physicality but have become crippled by a newly diagnosed disease or disorder. To recover we face the challenge of reexamining and redefining who we are, how we see ourselves, and how we want others to see us.
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Painting and drawing our emotion and feelings is great for this discovery process. It might be helpful to create a series of self-portraits. The first self-portrait should be who you were before the loss occurred in your life, the second who you feel you are now (expressing your current emotions), and the third should represent who you want to become or where you want to go. We have to recreate our identities and come to find peace with our new selves and our new lives, so that we can grow.

As we reconstruct our identity to match our new circumstances, we must at the same time be adjusting our belief systems. As human beings we naturally try to make sense of our experiences in life. Some of us articulate it more clearly than others do, but we each have our own way of understanding how the world works, a unique set of beliefs and assumptions that form the lens through which we view the world and our individual place in it. Loss and grief can challenge these basic assumptions and make us question everything that we thought we knew. We are flooded with doubts and questions; often the simplest question is simply—why? It is our challenge to find ways of making sense of what happened and adjusting our belief systems accordingly.
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To grow, we have to find within ourselves a way to ascribe meaning to the events and discover a new purpose to steer us into our new existence. A helpful exercise for redefining our belief systems is to take a piece of paper and write down everything that we thought that we knew, and all the beliefs that we held on to. Once you have scribed all of these beliefs and assumptions onto the paper, paint over them. Once the paint dries, inscribe your new beliefs and your new perspectives over top of the old ones.

Recovering from grief and loss takes time but the best way to treat our psychological injuries is to take on these challenges at our own pace, confronting and overcoming them one by one.

"I could never do what you do. How do you listen to problems all day?"

This is a question that I get all of the time. But you know what? I don’t see my job as listening to problems at all. Rather, I spend my time being witness to resilience.

I hear painful stories. I see pain. I feel it, too. Sometimes, after I hear a story I need to close my door and cry a little bit.
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But, I also see the beauty of life. The strength of human resiliency. The need to find acceptance and offer grace in the unpredictability of it all.

​Each day, I get to see how people can change. I get to watch as they recognize unhelpful patterns and shift them. I also see how people in many ways often stay the same. I see them sitting in my office as the sweet child with dreams and where fun and joy can pop up, almost unexpectedly.

In my job, I get to also be a student. I am taught great lessons every day by my clients. I am regularly reminded to count my blessings. But, also, to grieve my losses.

I am offered the beautiful opportunity of my own struggles being normalized. I get to see what life is truly like for most people behind closed doors.

This offers me permission to be human. It also grants me the great reminder to never forget that other people are human, too.

My job is a great honor. And whether we connect in my office or through here, I am inspired by you.

I want to share with you something that I know from getting to know so many people so intimately:

You’re not the only one. Someone else has faced something similar. There are other couples out there that are struggling in the same way you are.

Other individuals feeling similar feelings that you feel.

People all over the world worrying, grieving, and crying, and just trying really really hard. And also surviving and thriving.
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You’re not alone in your struggles. And, at the same time, you’re beautifully unique and the world needs you and your experiences, perspectives, and presence.

The term gaslighting originated from the 1944 Ingrid Berman movie Gaslight, where a husband slowly manipulates his wife into thinking she’s gone insane. The term resurged in popularity in 2016 thanks to a viral op-ed in Teen Vogue; it was a runner-up for Oxford dictionary’s 2018 word of the year.
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Gaslighting is a real phenomenon—and it has actual consequences for its victims. So what is gaslighting? And what are the signs you’re in a relationship with someone who’s gaslighting you?

Gaslighting psychological manipulation of a person, typically through lying, until the victim questions their sanity and begins to accept the other person’s version of reality. It's an abuse of power to dominate another person.
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If the gaslighter is good enough, the victim may not even realize that it's happening. Gaslighting undermines a person’s confidence in who they are and what they believe, and it can lead them to do things they don’t want to do.
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Sometimes otherwise mentally stable people gaslight in a certain situation—say, to cover up an affair. But people who persistently gaslight tend to be narcissistic (they’re extremely self-centered) and sociopathic (they ignore other’s people’s perspectives and disregard their rights). These people seek to control another person to meet their own needs or desires in a way that’s manipulative or dishonest.
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Here are seven signs of gaslighting in a relationship, and what to do if you think you’re being gaslighted.

Some of these signs (lying, making false promises) tend to be more strongly associated with gaslighting than others. But several signs taken together is evidence enough to suspect gaslighting. With some of these signs, the victim doesn’t notice them at first. The person needs to gain evidence that it’s gradually occurring over time and put the pieces together to see the symptoms for what they really are.

Does your friend never seem to be wrong? If that's the case, they are definitely lying, because we’re all wrong at some point or another. Lying is a key sign of gaslighting.
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Of course people lie for many reasons. But gaslighters lie to change another person’s reality. Whatever the gaslighter wants to get from one person, they'll get one way or another through lying.

Gaslighters typically start with small lies, then build up to bigger ones. When they’re caught, even with proof—like text messages—they refuse to admit the truth. They’ll keep denying and lying until you question your memory and ultimately believe their version of events.
It becomes a real mind-you-know-what if the person who’s lying is so confident and unwavering in their position.

A gaslighter gets to know your vulnerabilities. Your vulnerabilities include your insecurities, successes, and beliefs. They’ll consistently critique these things, and make snide comments to hurt and control you. Then they will tell you to "get over it," so you begin to believe your perspective isn’t valid or important.

These comments cut down your sense of self-esteem and over time gives the gaslighter the upper hand. The person who is being gaslit will question their worthiness and identify with the gaslighter’s perspective.

Even though the gaslighter says that they care about you, they ultimately flake on plans time and again, then swear that the plans never existed in the first place. They’re telling you what you want to hear, then doing whatever it is they wanted to do in the first place.

When someone says they’re going to do something, you should be able to trust they’ll do it. You should question your trust in a person who gives you lip service—particularly if it’s a pattern.

Gaslighters manipulate how you see important people in your life. They tell you that your father doesn’t love you, your friend is talking behind your back, or your sister is lying to you. They also develop relationships with some of these people, then convince them that you’re crazy in order to manipulate them into supporting the gaslighting process.

By convincing everyone around you that they are the only person who can be trusted, a gaslighter becomes the master manipulator. When you’re cut off from people you trust, you don’t have access to other perspectives that might help you to question what’s happening.

After lying and manipulating you, a gaslighter will question your version of events, telling you that you're paranoid or imagining things. The goal is to make you feel like you’re going insane.
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Constantly questioning your reality is a way to make you feel like there’s something really wrong with you. In the end, you’ll believe you actually need the other person’s perspective to get by.

Known as “projection” in therapy-speak, gaslighters accuse their victims of their own behaviors.

How many partners accuse their partner of cheating because they’re the one who’s cheating? The person who’s cheating sees the world in a distrustful way because they’re distrustful. They’re attempting to wiggle their way out. If their partner doesn’t have a good sense of self, they’ll buy the projection and act it out by actually having an affair.

Over time, a gaslighter’s behaviors cut into the self-confidence of their victim. You might think everything’s your fault and apologize all of the time, then wonder if you’re too sensitive. Maybe you feel anxious and isolated. You may question your impressions, thoughts, and feelings, and have a hard time making decisions.

\\If you think believe that you're being gaslighted, find a person to confide in, a person that you can trust. You need to get out from under the influence of the gaslighter and have your perspective heard and understood.

It’s entirely possible to fall for someone and realize that they’re gaslighting you after a date or two. Get rid of them. If this isn’t the first time you’ve been attracted to a gaslighter, therapy might be in order. Consider how you become attracted to this type of person. Ask yourself if you're playing a subservient role, and was that something that person smelled out? People who control are looking for people they can control.

Things get more complicated if you’re being gaslighted in a long-term relationship.

If gaslighting is linked to specific circumstances, like covering up an affair, there’s hope to salvage the relationship if the person is truly sorry and willing to try couple’s therapy. If the gaslighter recognizes what they are doing and changes, and you determine why the cheating happened and address those issues, there’s a chance you can recover.

Many people who have affairs never thought they would and are grasping for ways to make it go away or pretend like it never happened.

If, however, a person is slowly gaslighting you, and they aren’t remorseful when you confront them, they may have a serious personality disorder. You may also be grappling with insecurity yourself or seeking a strong connection during a vulnerable time of your life.
Changing this type of behavior in a person takes time and a lot of motivation. It’s much more complicated and often never occurs.

So much of my time spent with people is about communication. Why is that? I think it’s because we know that communication is one of those things that all of us can seek to improve.
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Communication is also something that when changed, can have immediate and positive benefits on your relationship.The Gottmans are famous for their research on the dynamics of relationships and communication. Their book The Seven Principles for Making a Marriage Work has become a best-seller because it focuses on many of the practical aspects of relationships that you can begin to make changes in.
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One of their most popular couple communication concepts is the idea of the ‘soft start-up’.

​What is the soft start-up?Simply put, the soft start-up is about approaching a conversation with your partner in a soft way, so that your partner can better receive what you are saying. Many couples fall into the trap of initiating communication with a harsh start-up such as, “Why didn’t you clean the kitchen?!” [said with a blaming tone].
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The Gottmans found out through their research that when you start a conversation with tension or harshness, it’s almost certain that you will end the conversation with tension. Maybe you’ve noticed this yourself?

Rembrandt's “Return of the Prodigal Son,” painted in 1668 toward the end of his life, and now hanging in the Hermitage in St. Petersburg, Russia, is a truly astounding work of sacred art. I haven't seen the original (it is a large painting 8” by 6”), but even the prints convey that which is almost inexpressible.

Others have painted this gospel parable that appears in Luke, chapter 15 many times. Rembrandt’s version stands out, however, from all the others (including James Tisor’s The prodigal son in modern life: the return, painted around 1882, which portrays the son as a wayward sailor returned to his father’s arms on a dock somewhere).

In Rembrandt's version, the father and prodigal son are in that ever-so-soft-and-delicate light of Rembrandt (not the highly intensified and focused light like Caravaggio) against the backdrop of a black surface. The ragged, dirty robes of the son contrast with the father’s ochre tinged with gold robe.

One can move downward from the light on the father’s face to the son’s feet, filthy, with one sandal lying on the floor. The son is almost bald and repellant: he has squandered his inheritance and has even descended so far into degradation that he lived with the pigs.

In another painting of this biblical story Rembrandt caught the prodigal son in the tavern. He painted himself and his wife, Saskia, into the merry-making of wine and song in a raucous pub (of course, Rembrandt as prodigal is wearing a sassy Dutch hat of black felt, with sword dangling at his side).

There are sketches, too, of scenes from the story. Albrecht Durer sketched The prodigal son among the pigs in 1496. This sketch sets the prodigal son smack in the middle of a pig’s trough. These pigs, and their piglets, have the largest snouts I have ever seen. Durer is a matchless wood-cut artist and crafter of sketches.

But it is the father’s features that keep my eyes fixated on the Rembrandt painting, perhaps the way Leonardo Da Vinci’s Mona Lisa still strikes silent awe in our hearts. How could he paint such an enigmatic smile? Rembrandt’s solemn scene of reconciliation paints the father’s look with such utter tenderness, compassion and love.

Part of the way he does this is by the contrasting light on the old man’s eyes: his left shaded with black, the right eye full of light, the head tilted to the left, the arms extending out of the scarlet robe (revealing extraordinarily beautiful undergarments) and hands placed with utmost tenderness on the son’s back (his head, though turned, is resting on his father’s chest).
Rembrandt has caught the moment when the father has just so, so carefully placed his hands on the son. One can almost imagine that this dirty wayward prodigal had just walked in, and the father moves to meet him, with the son falling at his father’s feet. The psychological depth of this painting is remarkable. The son has come home, the feast is about to begin.

But Rembrandt does not forget the elder brother. He is the “good son” who stands at the side to his father’s left, with two figures, barely visible, in between (another stands behind the father). The light is on the elder son’s face. Unlike his brother, he is standing, hands folded, a walking cane in his front. A red cape drapes his shoulders. He doesn’t seem particularly overjoyed.

The universal meaning of this unsurpassable painting is that light flows into the darkness and sin-weariness of the world though compassion that accepted the wounded and humiliated with total encompassing. The father embraces the wayward one without question. In his book, The Return of the Prodigal Son: a story of homecoming (1994), Henri Nouwen, the contemplative priest and spiritual director, discusses his encounter with Rembrandt’s painting. His story began in the fall of 1983 in the village of Trosly, where he had been spending time at L’Arche, the community founded by Jean Vanier for mentally handicapped people.

Henri had been traveling around the United States lecturing and protesting the war in Central America. He was exhausted, restless, and needy. One day he went over to visit Simone Landrien in the community’s documentation centre. He says, “As we spoke, my eyes fell on a large poster pinned on her door. I saw a man in a great red cloak tenderly touching the shoulders of disheveled boy kneeling before him. I could not take my eyes away.

“I felt drawn by the intimacy between the three figures (one, very, very faint), the war red of the man’s cloak, the golden yellow of the boy’s tunic, and the mysterious light engulfing them both. But, most of all, it was the hands—the old man’s hands—as they touched the boy’s shoulders that reached me in a place where I had never been reached before.”

Immediately Nouwen wanted to get a copy—at Simone’s insistence. The picture stayed with him over the years. There is little doubt that for Nouwen, the coming home to a secure and safe place swelled up from his spiritual depths. Three years later, Henri had opportunity to visit the Hermitage in St. Petersburg where he saw the original painting for the first time.

“I was stunned by its majestic beauty. Its size, larger than life; its abundant reds, browns, and yellow, its shadowy recesses and bright foreground, but most of all the light-enveloped embrace of father and son surrounded by four mysterious bystanders, all of this gripped me with an intensity far beyond my anticipation. There had been moments in which I had wondered whether the real painting might disappoint me. The opportunity was true. Its grandeur and splendour made everything recede into the background and held me completely. Coming here was indeed a homecoming.”

The painting revealed to Nouwen the deepest yearning of his heart. The story of the prodigal son is the story of a God who goes searching for us and who doesn’t rest until he has found us.
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The painting

• The 4 figures who surround the divine embrace all represent different ways of not getting involved. There is standing in the background (indifference, staring), leaning against an arch (curiosity, gazing), sitting with arms crossed (daydreaming, watching), and standing with hands gripping each other (looking, attentive observation).
• The son’s head is shaved (robbed of one of the marks of his individuality), wearing underclothes barely covering his worn down body, the sole of his feet tell the story of a long and humiliating journey, he is disposed of everything except his sword – the only remaining sign of his nobility and dignity, he had clung to the truth that he still was the son of his father.
• In the biblical commentaries and paintings of Rembrandt’s time, the parable of the Pharisee and the tax collector and the parable of the prodigal son were closely linked. Rembrandt follows that tradition. The seated man beating his breast and looking at the returning son is a steward representing the sinners and tax collectors, while the standing man looking at the father in a somewhat enigmatic way is the elder son, representing the Pharisees and scribes.
• Furthermore, by putting the elder son as the most prominent witness, Rembrandt holds on “not to the letter but to the spirit of the biblical text.”
• The elder son is dressed like the father, but what a painful difference between the two!
• The father’s touching the son is an everlasting blessing; the son resting against his father’s breast is an eternal peace. What is meant and represented here is the divine love and mercy in its power to transform death into life.
• The father’s left hand touching the son’s shoulder is strong and muscular. The fingers are spread out and cover a large part of the prodigal son’s shoulder and back. How different is the father’s right hand. This hand does  not hold or grasp. It is refined, soft, and very tender. It is a mother’s hand. The caressing feminine hand of the father parallels the bare, wounded foot of the son, while the strong masculine hand parallels the foot dressed in a sandal. Is it too much to think that the one hand protects the vulnerable side of the son, while the other hand reinforces the son’s strength and desire to get on with his life?
• The great red cloak looks like a tent inviting the tired traveler to find some rest or the sheltering wings of a mother bird.
• The image of the return to God’s womb, to be reborn from above.

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3 phases of the spiritual journey:
 
1. The younger son. 

• Only when I have the courage to explore in depth what it means to leave home, can I come to a true understanding of the return. The son’s manner of leaving is equivalent to wishing his father dead. I am loved so much that I am left free to leave home. The father’s hands have always been stretched out — even when there were no shoulders upon which to rest them.  I am the prodigal son every time I search for unconditional love where it cannot be found. What was it that allowed the son to opt for life and return home? It was the rediscovery of his deepest self.
• To whom do I belong? To God or to the world? Do we accept the rejection of the world that imprisons us, or do we claim the freedom of the children of God? We must choose.
• One of the greatest challenges of the spiritual life is to receive God’s forgiveness.
• Jesus himself became the prodigal son for our sake. Jesus is the prodigal son of the prodigal Father who gave away everything the Father had entrusted to him so that I could become like him and return with him to his Father’s house.
• Have I, myself, really ever dared to step into the centre, kneel down, and let myself be held by a forgiving God?
• The place of being embraced by the father as a prodigal son is the place where I so much want to be, but am so fearful of being. It is the place where I will receive all I desire, all that I ever hoped for, all that I will ever need, but it is also the place where I have to let go of all I most want to hold on to. It is the place of surrender and complete trust.
• I have to kneel before the Father, put my ear against his chest and listen, without interruption, to the heartbeat of God.

2. The elder son.

• The hardest conversion to go through is the conversion of the one who stayed home. The lostness of the elder son is always hard to identify. The elder sons and daughters who are lost due to judgment, condemnation, anger, resentment, bitterness, jealousy – is so pernicious and damaging to the human heart. Complaining – coming from a heart that feels it never received what it was due – is common.
• “You are always with me, all that I have is yours.”
• Jesus as the elder son. The words of the father in the parable: “My son, you are with me always, and all that I have is yours” expresses the true relationship of God the Father with Jesus his Son.
• Jesus shows us what true sonship is. He is the younger son without being rebellious. He is the elder son without being resentful. All in order to show us how to become like the Father.

3. The father. 

• The painting could have been called “The Welcome by the Compassionate Father.”
• Rembrandt chose a nearly blind old man to communicate God’s love.
• God, creator of heaven and earth, has chosen to be, first and foremost, a Father.
• The true centre of Rembrandt’s paintings is the hands of a father.
• To be a father who can welcome his children home without asking them any questions and without wanting anything from them in return. Whereas we don’t know whether the younger son accepted the celebration or how he lived with his father after his return, or if the elder son ever reconciled with his brother, his father, or himself, what we do know with unwavering certainty is the heart of the father. It is a heart of limitless mercy.
• God is always there, always ready to give and forgive, absolutely independent of our response.
• God’s only desire is to bring me home.
• God has a divine eagerness to welcome us home & give us a lavish feast.
• God rejoices when one repentant sinner returns. Statistically that is not very interesting. But for God, numbers never seem to matter.
• We must make the final journey to become like the Father. Becoming the compassionate Father is the ultimate goal in the spiritual life. Jesus is the true Son of the Father. He is the model for our becoming the Father.
• Spiritual fatherhood has nothing to do with power or control. It is a fatherhood of compassion.

Home

• Home is the centre of my being where I can hear the voice that says: “You are my Beloved, on you my favor rests.”
• Faith is the radical trust that home has always been there and always will be there.

Practical tips & things to pray about

• The only way to that place is prayer, unceasing prayer. Many struggles and much pain can clear the way, but I am certain that only unceasing prayer can let me enter it.
• You can only hear the Father’s voice if you allow yourself to be embraced by Him.
• I have to kneel before the Father, put my ear against his chest and listen, without interruption, to the heartbeat of God.
• I am the prodigal son every time I search for unconditional love where it cannot be found.
• One of the greatest challenges of the spiritual life is to receive God’s forgiveness. Stop thinking the God to whom you are returning demands an explanation. Receiving forgiveness requires a total willingness to let God be God and do all the healing, restoring, and renewing.
• The Beatitudes offer me the simplest route for the journey home, back into the house of my Father.
• I can only be healed from above, from where God reaches down. What is impossible for me is possible for God. “With God, everything is possible.”
• The return to the “Father from whom all fatherhood takes its name” allows me to let my dad be no less than the good, loving, but limited human being he is ,and to let my heavenly Father be the God whose unlimited, unconditional love melts aways all resentments and anger and makes me free to love beyond the need to please or find approval.
• What can we do to make the return possible? Although God himself runs out to us to find us and bring us home, we must not only recognize that we are lost, but also be prepared to be found and brought home. How? Obviously not by just waiting and being passive. We can allow ourselves to be found by God and healed by his love through the concrete and daily practice of trust and gratitude. Trust is that deep inner conviction that the Father wants me home. Say this: “God is looking for you. He will go anywhere to find you. He loves you, he wants you home, he cannot rest unless he has you with him.” Gratitude claims the truth that all of life is a pure gift. It must be lived as a discipline, not just as a spontaneous response to the awareness of gifts received, must be a conscious choice. Acts of gratitude then become easier, freer, and a little less self-conscious. Acts of gratitude made one grateful because, step by step, they reveal that all is grace.
• The great call to conversion is to look not with the eyes of my own low self-esteem, but with the eyes of God’s love.
• During all this time, God has been trying to find me, to know me, and to love me. The question is not “How am I to find God?” but “How am I to let myself be found by Him?” The question is not “How am I to know God?” but “How am I to let myself be known by God?” And, finally, the question is not “How am I to love God?” but “How am I to let myself be loved by God?”
• When you are the Beloved Son, you see joy whether others only see sadness. You don’t have to wait until all is well, you can celebrate every little hint of the Kingdom that is at hand. There is a radical difference between cynicism and joy. Cynics see darkness wherever they go. Joyful people do not deny darkness, but they choose not to live in it. A little bit of light can dispel a lot of darkness. Every moment of each day I have the chance to choose between cynicism and joy. Every thought I have can be cynical or joyful. And every choice for joy in turn reveals more joy and offers more reason to make life a true celebration in the house of the Father.
• Can I give without wanting anything in return, love without putting any conditions on my love?
• There is a dreadful emptiness in this spiritual fatherhood. No power, no success, no popularity, no easy satisfaction. But that same dreadful emptiness is also the place of true freedom. It is the place where there is “nothing left to lose,” where love has no strings attached, and where real spiritual strength is found.

Recently I posted a video by Esther Perel where she provides a brief guide about communicating about love in this day and age.  In the video, Esther discusses the phenomena of ghosting, icing, and simmering. In this post, we’re going to look at these terms, why to stop engaging with them if you’re a culprit, and how to deal with the emotions of being ghosted, iced or simmered.

​Rejection has always been a part of the relationship landscape. But are the new trends of ghosting, icing and simmering increasing our acceptance of ambiguous ends? These tactics of maintaining unclear relationships and prolonging break-ups all produce what I refer to as stable ambiguity. When we are stably ambiguous, we're too afraid to be alone, but unwilling to fully engage in building intimacy. This behavior creates a holding pattern that affirms the undefined nature of the relationship, which has a mix of comforting consistency AND the freedom of blurred lines.
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Esther says that "we want to have our cake and eat it too. We want to have someone available to cozy-up with when it’s snowing, but if something better comes along, we want the freedom to explore."

In this relationship culture, expectations and trust are constantly questioned. The state of stable ambiguity will undoubtedly create an atmosphere where at least one person experiences a constant cloud of uncertainty, and neither individual feels truly appreciated or nurtured. We do this at the expense of our emotional health, and the emotional health of others.

"Ghosting, icing, and simmering are manifestations of the decline of empathy in our society — the promoting of one’s selfishness, without regard for the consequences of others," says Esther. There is a person on the other end of our text messages (or lack thereof), and the ability to communicate virtually doesn’t give us the right to treat others poorly.

So what is ghosting, icing, and simmering really? Let's take a look.

Ghosting is simple. The other party simply becomes a ghost. They stop responding to calls, texts, or DMs. Typically, ghosting happens once you’ve already met the other person.

If someone just stops responding to your messages within an online dating site and you haven’t met yet, it's probably one of three things:

1. You’re really not that interesting to them.
2. They’ve led you on for something a bit nefarious, whether it's to scam you or to boost their own ego.
3. They’ve died. :)

Do you ghost?
People who are “into you” don’t “just get the hint” when you stop responding. In some cases, they actually worry. If you’re someone that ghosts others, consider stepping up a little and treating people with a bit more respect. Everyone wants to be respected. You’re not going to be respected if you don’t respect to others. That’s just the way the world works.

Have you been ghosted?
Being the victim of a ghoul sucks. Plain and simple. Many ghostees live in within the gray area between anger and worry. Particularly if they really liked the ghost.

But, it’s not you. That didn’t help, did it? But the reality is, is that someone who can’t send you a message letting you down isn’t someone you want to be with in the first place. How far do you want to go with someone unable to take responsibility for their own decisions?

A client of mine recently came in to their session in tears because the person that they had been seeing for last two months finally reached out to them a week after they left them a voicemail, saying they'd gotten busy. My client hadn't been ghosted. They'd been iced.

​Icing is when someone suddenly behaves very cool towards you. Their responses become sporadic and will become increasingly more generic than specific. Trying to make plans will yield responses like “let me get back to you.”

Do you put people on ice?
Stop. Really, people are not toys. It’s OK to call it like it is. Keep a good friend vs. just being a jerk.

If you're prone to icing people, try; this instead: So, here’s the thing: I like you. I like that you _____, and you would probably be great to be friends with.

Warning: If they agree to be friends, make the next four or five connections be group interactions. Test that friendship is going to work. Constant advances aren’t OK. Maintain your agreed upon boundaries.

Have you been put on ice?
I guess the good news with icing is that the other person is kinda into you. They do like you. Otherwise, they’d ghost. But chances are, they aren’t so sure whether the like you like you. That’s worth a little bit of effort, right? So that's why you're on ice.
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Icing is weird. People do get busy. But if someone wants to spend time with you, they make the time. At very least, an “I wish I could see you, but I’m booked” text will fill the space and help take the edge off.
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Dealing with icing takes a bit of commitment. Give yourself a strategy and stick to it. Set boundaries and limits. A strategy that I teach my clients is 2/4. I recommend that they reach out twice, four days apart. So, if my client reaches out to someone – phone, text, email, DM – and they don’t respond in four days AND they really like them, call and ask a hard “when can we get together again?” But, that’s it.

If my client is truly being put on ice, their second call is going to go to VM. If their crush answers, chances are icing isn’t what’s going on – something else is.
If that second call is met with something other than a “let’s get together x,” most likely it's not worth continued pursuit.

Simmering is the worst. It is literally putting a relationship on the back burner and letting it sit there. And you're in the pot. You're plan B. They're really looking for x but, if the can't find it, maybe they'll settle for you.

Do you let people simmer?
If you’re a simmerer, just say you’re not interested. Maybe you kind of are, but do everyone a favor, just say you’re not. If you’re not interested right now and have the courage to state it, you might have the chance with the person later if you become interested, because you were honest before. But, if you simmer someone, you’re just being a jerk. Even if you believe you have good intentions.

Are you on the back burner?
When you’re being simmered, you have to be the strong one. That puts you in the awful position of having to bail on someone you actually like.

But, here’s the thing: you’re only around for their ego. Even if things would escalate to a relationship, chances are, you’re only arm candy for their ego.

​Don’t tell the simmerer, but the reality is quite simple: they’re just not ready for an adult relationship. In an adult relationship, you like someone and you want to give it a shot… or you’re not willing to give it a shot. For some reason or another, simmerers just aren’t willing or ready to give it a shot. And that's okay, but you don't need to stick around until they are ready.

I encourage you to end relationships respectfully and conclusively, however brief they may be. Act with kindness and integrity. This gives both people the chance to enter into their next relationship with more experience and a clear head, rather than filled with disappointment and insecurity.

Ideas to incorporate into a final conversation:

• Thank you for what I’ve experienced with you.
• This is what I take with me, from you.
• This is what I want you to take with you, from me.
• This is what I wish for you, henceforward.

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Of course, couples living in the realm of stable ambiguity don’t always end in a breakup. Sometimes this state is the training wheels period needed for one or both parties to realize they want something more. This is normal for a brief, beginning phase, but not as the defining mode of a relationship.